Theater is back with "The Great Leap" @ The San Jose Stage Company

Program cover of The Great Leap at The San Jose Stage Company.

Manford (James Aaron Oh) making a basketball shot as
Wen Chang (Alex Hsu), Connie (Monica Ho), and
Saul (Tim Kniffin) watches at a distance on the court.
Photograph courtesy of Dave Lepori.

Randall King, the Artistic Director of The San Jose Stage Company, announced that "theater is back!" Yes it is and what a surreal feeling when I realized that the last time I saw a show at The San Jose Stage Company was the musical Chicago in February 2020. Oh, how great it feels to be back in the theater again ... safely!

Kicking off their 39th Season "Resilience" is Lauren Yee's play The Great Leap. Following four characters, an American basketball team travels to Beijing for a "friendship match" in 1989. There is much more to this "friendship" than meets the eye: a deep, yet strained, relationship between the two countries bringing the characters into a collision course. The most common line that shows how deep this "friendship" really goes: "no Chinese team will ever beat an American team."

The set of The Great Leap at The San Jose Stage Company.
Photograph courtesy of John Huân Vu.

On a beautiful and minimal stage centering around a basketball court, we follow two storylines eighteen years apart. This split timeline highlights two major points in our history: renewed relations between the United States and China and the Tiananmen Square protests in Beijing, China.

In the past timeline of 1971, we meet the American University of San Francisco basketball coach Saul (played by Tim Kniffin) who convinces a Chinese translator, Wen Chang (played by Alex Hsu), to a "friendship match" that will be played 18 years later in 1989. While in the present timeline of 1989, we follow 17-year-old Chinese-American Manford (played by James Aaron Oh) who pesters coach Saul to play in the "friendship match" against Beijing University. We also meet Connie (played by Monica Ho) who is a university student and is Manford's loving "cousin".

Saul (Tim Kniffin) and Wen Chang (Alex Hsu)
converses on the basketball court in 1971.
Photograph courtesy of Dave Lepori.

Without sharing the details of the story, each of the actors bring a unique dichotomy to their characters delivering comedic relief towards a dramatic, unexpected, and satisfying climax!

When we first meet Saul in 1971, he is an ambitious and confident coach but now struggles personally and professionally in 1989. Ironically, Wen became the opposite of Saul where Wen was a "nobody" in China in 1971 and is now one of the more influential citizens in the country in 1989. Although Manford started out very obnoxious and arrogant, you come to love him when you realize this kid never gives up - especially if it's for the right reason. Lastly, Connie is an extravagant and straight-to-the-point girl but works to embody that family love that was truly missing from Manford's life.

Manford (James Aaron Oh) confronted by his "cousin"
Connie (Monica Ho) on why he's not at school.
Photograph courtesy of Dave Lepori.

Personally, I was very impressed by Tim Kniffin where his body language spoke as loud as his words. As for Alex Hsu, it was personally so great to see him back on stage after last seeing him a decade ago fabulously acting in the musical Tales of the City at the American Conservatory Theater in San Francisco. Although I can't play basketball (or any sports) for the life of me, I really appreciate seeing that James Aaron Oh took the time to study up the sport so he can deliver a solid performance on stage. Lastly, the range that Monica Ho delivers during this play foreshadows that she's an actress I'd be on the lookout for in future performances.

Overall, the show delivers a great story through the impressive dramatic and comedic performances of the actors to show that indeed, "theater is back!" Please note that heavy language is used and may not be suitable for all audience members.

Wen Chang (Alex Hsu) facing the tanks at Tiananmen Square.
Photograph courtesy of Dave Lepori.

Catch a performance from Wednesdays through Sundays now until October 24, 2021. You can purchase tickets online at The San Jose Stage Company website at www.thestage.org or at their box office at 490 South First Street, San Jose, CA 95113, (408) 283-7141. Discount tickets are available for students and seniors. To ensure the health and safety of the cast, staff, and those attending, please note that you must adhere to their safety protocols which also includes a proof of vaccination.

Written by John Huân Vu, edited by Greg Ripa.

All That Jazz with "Chicago" @ The San Jose Stage

They had it comin'
They had it comin'
They had it comin' all along
'Cause if they used us
And they abused us
How could you tell us that we were wrong?

Back in high school, I was wondering why so many people loved CHICAGO when it first came out in theaters in 2002. Before I knew I loved musicals, I found the songs "Cell Block Tango" and "We Both Reached for the Gun" to be sensational and fascinating. Of course, being quite an ignorant child believing that justice will always prevail, I had no idea that the outcome of this musical's riveting storyline and dazzling musical numbers would be a scandalous travesty of justice. It was so scandalous in storyline, outcome, costumes, and choreography, that the original 1975 Broadway production of CHICAGO only ran for 968 performances, which is a relatively short run for an open-ended broadway production. Thankfully, two decades later, a more accepting Broadway audience and significant production tweaks paved the way for the current revival of CHICAGO, which is now the longest-running musical revival and longest-running American musical in Broadway history.

"We Both Reached For The Gun" musical number
Center Stage: Monique Hafeb Adams (as Roxie Hart), Keith Pinto (as Billy Flynn), Kyle Bielfield (as Mary Sunshine)
Ensemble: Patrick Wayne, Jill Miller, Jacqueline Neeley, Zoey Lytle, Matthew Kropschot,
Tony Wooldridge, Tracey Freeman-Shaw, Monica Moe, Vinh G. Nguyen, Nick Rodrigues.
Photo By Dave Lepori

"Razzle Dazzle" musical number
Keith Pinto (foreground as "Billy Flynn") alongside Matthew Kropschot,
Monica Moe, Jacqueline Neeley, Jill Miller, Zoey Lytle,
Tracey Freeman-Shaw, Tony Wooldridge, Nick Rodrigues.
Photo by Dave Lepori

Since my high school years, I have seen the musical twice on Broadway and once as a touring production through Broadway San Jose. I had no idea that the theatrical production would be significantly better than the big screen version including its simple set design, kinky costumes, and "all that jazz" expected from this musical.

CHICAGO took the stand at The San Jose Stage Company with its official opening night on February 8, 2020. The production was mostly true to what I've seen on Broadway especially when it comes to the choreography, singing, and costumes. The company at The San Jose Stage Company hit top marks for producing a Broadway quality show in its intimate setting allowing Bay Area residents to fall in love with this classic!

Branden Noel Thomas 
as "Matron ‘Mama’ Morton"
Photo by Dave Lepori

Given that I've seen previous productions at The San Jose Stage Company, it was great seeing former cast members return to the show including Monique Hafen Adams as Roxie Hart, Allison F. Rich as Velma Kelly, Keith Pinto as Billy Flynn, Matthew Kropschot as Fred Casley, and ensemble members June Miller, Monica Moe, Vinh G. Nguyen, Tracey Freeman-Shaw.

The highlight of the show was the excellent performance of Branden Noel Thomas performing as Matron "Mama" Morton. Branden's singing, acting, makeup, and costume was impeccable. Branden knew how to pull in the audience and deliver musical notes and lines with gravity... and tenacity. Branden is a young person whom I will be paying attention in future productions.

One thing that didn't occur in the Broadway production, but which The San Jose Stage Company changed very well, was the different direction to their musical number, "Mister Cellophane." Performing as Amos Hart was Sean Doughty, who previously performed the same part at another theater. In addition to Sean applying the sad clown makeup from the movie version, it was comical and malevolent to see how the spotlight operator moved the spotlight away from Amos on stage several times. Plus, Amos never received his exit music, as other characters did. Little things like this is truly reminiscent of the character of Amos Hart who is so innocent yet easily mistreated throughout the story.

Sean Doughty as Amos Hart
Photo By Dave Lepori

All in all, this is one of the few shows I would watch again and again. So make sure you catch a performance playing Wednesdays to Sundays now until March 15, 2020. You can purchase tickets online at The San Jose Stage Company website at www.thestage.org or at their box office at 490 South First Street, San Jose, CA 95113, (408) 283-7141. Discount tickets are available for students and seniors.

Written by John Huân Vu.

Live Action "The Rocky Horror Show" @ San Jose Stage Company

Let's Do the Time Warp Again!

The iconic red lips painted outside of The San Jose Stage
Photograph taken and courtesy by John Huan Vu

It was July 28, 2010. Under the beautiful stars surrounding Downtown San Jose, my friends and I sat in a parking lot to see a projected movie hosted by the San Jose Downtown Association Starlight Cinemas. The movie: The Rocky Horror Picture Show. I'm still in shock over the show's risqué nature along with its audience of hecklers and volunteer actors. I didn't realize that 9+ years later, I would be seeing the live action performance just steps away at the San Jose Stage Company! Truly, let's do the time warp again!

Arriving on the opening night, the big luscious and iconic red lips were painted on the wall outside the San Jose Stage. Being in line, you can definitely tell who loved the show including the cult following in full gear such as tall men in stilettos!

As I waited outside before the show started, the Phantoms, played by Brian Conway, Monica Moe, and Tracy Shaw, greeted audience members, especially those who have never seen the show before. Although their roles may be discreet, the Phantoms were adorably funny and creative. Pay attention to the scene where they use their bodies as a vehicle with windshield wipers and headlights.

Program of the Rocky Horror Show
Photograph taken and courtesy by John Huân Vu.

Keith Pinto

The program cover of the show features Keith Pinto who plays the scandalous Dr. Frank-N-Furter. I have seen Keith Pinto in multiple productions at the San Jose Stage and recently had the opportunity to interview him before opening night. The reason why Keith enjoys his time with the San Jose Stage is due to the great team he gets to work with and for being part of productions that are gritty and will take a chance in putting their own stamp on the way the company views the material. For the show itself, Keith had so much fun studying and playing the iconic character as a "sexy mad scientist." His biggest challenge was not only to deliver a strong performance to audience in drag, but also being able to dance (and not trip) with his platform heels. On opening night, I was convinced that Keith was truly Dr. Frank-N-Furter who gave the powerful justice to fans who have come to love The Rocky Horror Show.

Magenta (Allison F. Rich), Brad (Parker Harris),
Janet (Ashley Garlick), and Riff Raff (Sean Okuniewicz)
Photograph courtesy by Dave Lepori

A direction that I enjoyed in the production were the two strong couples who were counterpoints throughout the show. At one end, we journey along with the beautifully naive and bubbly couple, Janet and Brad, who are played by Ashley Garlick and Parker Harris. The other end, we witness the the sexually naughty and conniving couple, Magenta and Riff Raff, played by director Allison F. Rich and Sean Okuniewicz. My highlight was to see the beautiful Ashley Garlick and the dashingly handsome Parker Harris deliver some numbers with some great singing.

Of course, Rocky himself, played by Matthew Kropschot, will not disappoint you, being a hunk to some and a twink to others. Do note that his ugly headshot in the program does little justice to his pretty looks. As a recent college graduate, Matthew was not only able to dance in his ripped six-pack body with swim briefs, he was also able to sing!

Rocky and Dr. Frank-N-Furter
Photograph courtesy by Dave Lepori

Now, a couple words of caution: this show may not be appropriate for everyone and discretion is strongly advised due to the show's language, sexual nature, and taboo humor.

Will hecklers and callbacks from audience be allowed? Most definitely. During rehearsals, Keith Pinto shared that the cast and company would need to be ready to read the audience's response. For example, the Narrator, played by Edward Hightower, got us to giggle because there were moments in which he couldn't keep a straight face. The whole audience was caught up in howls of laughter when, as the answer to the question "Where are we?" as characters Janet and Brad entered the castle, someone yelled out "Mar-a-Lago"! Of course, if you are not used to hecklers and callbacks from the audience, you are strongly advised to watch the movie beforehand. And if you decide to participate, audience members are politely asked to not throw anything to the cast or on to the stage.

You can catch a performance playing from Wednesdays to Sundays now until November 3, 2019. You can purchase tickets online at the San Jose Stage website at www.thestage.org or at their box office at 490 South First Street, San Jose, CA 95113, (408) 283-7141. Discount tickets are available for students and seniors.

Written by John Huân Vu.

It's Not Too Late: TOTEM runs until April 15th!

It's not too late!
If you haven't already, you've got one week to catch one of the hottest, most astounding shows here in San Jose.

TOTEM, the traveling Cirque du Soleli show is still mesmerizing audiences, and will be until April 15th.

There is not a moment in the show that I was not amazed, smiling, or actually Oohing and Ahhing at the amazing talent these performers have.

Like many Cirque shows, there is also plenty of humous moments thrown throughout the show.

A couple of favorite moments from the evening..

The "Russian Bars": Just take a look at this photo. Do you see the thin little bouncy bar and how high off the ground these guys are? They jump and twist high in the air and magically (something tells me crazy amounts of practice has something to do with it) land each time back on the bars. This performance had me holding my breath.


(Photo by Daniel Auclair © 2010 Cirque du Soleil)

Another performance I enjoyed was the five girls on unicycles. I don't think I blinked during this part. I like to just TRY to imagine myself in the situation. Having to think about keeping the rhythm with your feet and making sure you're at a certain distance… ignore the audience… and TOSS!CATCH! Don't fall! Yeah I could totally do it. ;)



(Photo by Daniel Desmarais © 2010 Cirque du Soleil Inc.)

You've seen the ads, the artwork wrapped around the Light Rail trains… you've heard your friends rave about it. Be one of them and SEE THIS SHOW before time runs out!

BURN THE FLOOR Sets Downtown San Jose on Fire!

Okay, I think it's time for me to come clean with everyone. The show "So You Think You Can Dance" has become a guilty pleasure of mine. Perhaps around season 2 or 3, my wife started watching it and I was forced to be a passive viewer. I would sit on the couch with a laptop in front of me, doing work or surfing the web... not really paying much attention to what's going on. A season later, I would put down the laptop anytime a hip-hop routine came on. Fast forward to their last season and magically the laptop was nowhere to be found whenever the show came on.

What I think that show really did for dance was take decades of tradition, and modernize the heck out of it so that even people that know absolutely nothing about dance (e.g. me) can enjoy it. BURN THE FLOOR essentially did the exact same thing to ballroom dancing. They took elements of traditional ballroom as well as jazz, contemporary, and even paso doble routines and made it so that literally anyone can enjoy it. This isn't just a good show for people that like watching dance... it's a good show period.

The routines are simply amazing. You'll see moves that human beings shouldn't be able to physically pull off. What's even more impressive is how these moves can be consistently executed throughout the performance without any slips or falls. The level of talent required for this show is off the charts... all of the dancers were at least great, and some were astounding. The "So You Think You Can Dance" graduates--Pasha, Anya, Ryan, and Ashleigh--were definitely in the astounding category. There was even a special cameo from "So You Think You Can Dance" judge, choreographer, and hot tamale train conductor, Mary Murphy!

Backing up the dancers are twin percussionists and talented singers that help keep the mood lively from curtain to curtain. The sets were fantastic. Choreography? As good as it gets. How about the pace? The show never got boring, even for someone with a very short attention span (last time I saw The Nutcracker, I fell asleep at least 3 times). In a nutshell, this is the best show I've seen at the San Jose Center for the Performing Arts. If you're interested, I would try to get tickets before they're all sold out. Here's the direct link!