All That Jazz with "Chicago" @ The San Jose Stage

They had it comin'
They had it comin'
They had it comin' all along
'Cause if they used us
And they abused us
How could you tell us that we were wrong?

Back in high school, I was wondering why so many people loved CHICAGO when it first came out in theaters in 2002. Before I knew I loved musicals, I found the songs "Cell Block Tango" and "We Both Reached for the Gun" to be sensational and fascinating. Of course, being quite an ignorant child believing that justice will always prevail, I had no idea that the outcome of this musical's riveting storyline and dazzling musical numbers would be a scandalous travesty of justice. It was so scandalous in storyline, outcome, costumes, and choreography, that the original 1975 Broadway production of CHICAGO only ran for 968 performances, which is a relatively short run for an open-ended broadway production. Thankfully, two decades later, a more accepting Broadway audience and significant production tweaks paved the way for the current revival of CHICAGO, which is now the longest-running musical revival and longest-running American musical in Broadway history.

"We Both Reached For The Gun" musical number
Center Stage: Monique Hafeb Adams (as Roxie Hart), Keith Pinto (as Billy Flynn), Kyle Bielfield (as Mary Sunshine)
Ensemble: Patrick Wayne, Jill Miller, Jacqueline Neeley, Zoey Lytle, Matthew Kropschot,
Tony Wooldridge, Tracey Freeman-Shaw, Monica Moe, Vinh G. Nguyen, Nick Rodrigues.
Photo By Dave Lepori

"Razzle Dazzle" musical number
Keith Pinto (foreground as "Billy Flynn") alongside Matthew Kropschot,
Monica Moe, Jacqueline Neeley, Jill Miller, Zoey Lytle,
Tracey Freeman-Shaw, Tony Wooldridge, Nick Rodrigues.
Photo by Dave Lepori

Since my high school years, I have seen the musical twice on Broadway and once as a touring production through Broadway San Jose. I had no idea that the theatrical production would be significantly better than the big screen version including its simple set design, kinky costumes, and "all that jazz" expected from this musical.

CHICAGO took the stand at The San Jose Stage Company with its official opening night on February 8, 2020. The production was mostly true to what I've seen on Broadway especially when it comes to the choreography, singing, and costumes. The company at The San Jose Stage Company hit top marks for producing a Broadway quality show in its intimate setting allowing Bay Area residents to fall in love with this classic!

Branden Noel Thomas 
as "Matron ‘Mama’ Morton"
Photo by Dave Lepori

Given that I've seen previous productions at The San Jose Stage Company, it was great seeing former cast members return to the show including Monique Hafen Adams as Roxie Hart, Allison F. Rich as Velma Kelly, Keith Pinto as Billy Flynn, Matthew Kropschot as Fred Casley, and ensemble members June Miller, Monica Moe, Vinh G. Nguyen, Tracey Freeman-Shaw.

The highlight of the show was the excellent performance of Branden Noel Thomas performing as Matron "Mama" Morton. Branden's singing, acting, makeup, and costume was impeccable. Branden knew how to pull in the audience and deliver musical notes and lines with gravity... and tenacity. Branden is a young person whom I will be paying attention in future productions.

One thing that didn't occur in the Broadway production, but which The San Jose Stage Company changed very well, was the different direction to their musical number, "Mister Cellophane." Performing as Amos Hart was Sean Doughty, who previously performed the same part at another theater. In addition to Sean applying the sad clown makeup from the movie version, it was comical and malevolent to see how the spotlight operator moved the spotlight away from Amos on stage several times. Plus, Amos never received his exit music, as other characters did. Little things like this is truly reminiscent of the character of Amos Hart who is so innocent yet easily mistreated throughout the story.

Sean Doughty as Amos Hart
Photo By Dave Lepori

All in all, this is one of the few shows I would watch again and again. So make sure you catch a performance playing Wednesdays to Sundays now until March 15, 2020. You can purchase tickets online at The San Jose Stage Company website at www.thestage.org or at their box office at 490 South First Street, San Jose, CA 95113, (408) 283-7141. Discount tickets are available for students and seniors.

Written by John Huân Vu.